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原文

Camille Saint-Saens. Piano Concerto No. 4 In C Minor, Op.44. Book. CD. Sheet Music, CD. Piano. PF. Camille Saint-Saëns.

译文

圣桑. 钢琴协奏曲第4号C小调，Op.44. 书. 光盘. 乐谱，CD. 计划. PF. 圣桑.

原文

Piano Concerto No. 4 In C Minor. concerto pour Piano en ut mineur. , Op. 44 by Camille Saint-Saëns , is the composer's most structurally innovative Piano concerto. In one sense it is like a four-movement symphony, but these are grouped in pairs. That is, the piece is divided into two parts, each of which combines two main movements. Part 1. I. Moderatetempo Theme and Variations in C Minor. II. Slower Theme and Variations in A-flat Major. Part 2. III. Scherzo in C Minor. IV. Finale in C Major. However, in each part there is a bridge-like transitional section, between the two main "movements" – for example, a fugal Andante in part II functions as an interlude between the two main sections. The concerto begins with a gently mischievous chromatic subject, heard in dialogue between the strings and piano soloist, and continues in a creative thematic development similar to Saint-Saëns ' Third Symphony. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante, he moves to A-flat major with a chorale-like theme in the woodwinds. also strikingly similar to the tune of the Third Symphony's final section. , and uses this as a platform on which to build a series of variations before bringing the movement to a quiet close. The Allegro vivace begins again in C minor as a high-spirited scherzo, using material foreshadowed in the first movement. 4 and 6. 8 are playfully juxtaposed throughout. At one point, the Piano boldly leads the orchestra in an energetic 6. 8 theme in Eflat major. Eventually the orchestra moves to a lush Andante, recapitulating the Andante section from the first movement. Rather suddenly, the piano climbs up to a flurry of double octave trills, and a climactic trumpet fanfare, leads to the jubilant finale based on a hymn-like theme in triple time. The concerto concludes with the piano, in glittering cascades, guiding the orchestra to a fortissimo close. The piano concerto was premièred in 1875 with the composer as the soloist. The concerto is dedicated to Antoine Door, a professor of piano at the Vienna Conservatory. It continues to be one of Saint-Saëns ' most popular piano concertos, second only to the Piano Concerto No. 2 in G minor. This highly inventive work, along with many others, does much to refute the caricature of a purely reactionary Saint-Saëns.

译文

钢琴协奏曲第4号C小调. C小调钢琴协奏曲. ，作品。 44卡米尔圣桑，是作曲家最创新的结构钢琴协奏曲. 在某种意义上，它就像一个四乐章的交响曲，但这些组合成对. 即，片分割成两部分，其中每一个组合的两个主要的动作. 第1部分. I. Moderatetempo主题与变奏C小调. II。较慢的主题与变奏的降A大调. 第2部分. III。谐谑曲C小调. IV。压轴的C大调. 但是，在每个零件有一桥状过渡部分，这两个主要的“运动”之间 - 例如，一个赋格行板在第二部分的功能​​为两个主要部分之间的小插曲. 协奏曲开始轻轻调皮的色彩主题，听说在弦乐和钢琴独奏家之间的对话，并继续以类似圣桑的第三交响曲创意主题开发. 作曲家展示了辉煌的技巧采用钢琴和乐队几乎同样. 在行板，他移动到降A大调用诗歌般的主题在木管乐器. 也惊人地相似，第三交响曲的最后一节的调. ，并使用此作为其带来的运动一个安静收盘前建立一系列变化的平台. 快板Vivace公司再次开始在C小调作为一个意气风发谐谑曲，使用的材料在埋下伏笔第一乐章. 4和6. 8顷调皮地在整个并列. 在一个点上，钢琴大胆带领乐团在一个充满活力的6. 8主题Eflat大. 最终乐队移动到郁郁葱葱的行板，扼要重述从第一运动的行板部分. 而突然间，钢琴爬上来乱舞双倍频颤音和高潮小号大张旗鼓，导致基于一首赞美诗般的主题三联时间欢腾大结局. 协奏曲总结了钢琴，在闪闪发光的瀑布，指导乐团到极强接近. 钢琴协奏曲首演于1875年与作曲家的独奏. 协奏曲是专门为安托万门，钢琴在维也纳音乐学院的教授. 它仍然是一个圣桑的最流行的钢琴协奏曲，仅次于G小调钢琴协奏曲. 这一高度创造性的工作，再加上许多人一样，做许多事来反驳纯粹的反动圣桑的漫画.