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原文

John McCabe. Horn Quintet. Parts. Sheet Music. French Horn. String Quartet. HN. STR QUARTET. John McCabe.

译文

约翰·麦凯布. 喇叭五重奏. 配件. 乐谱. 圆号. 弦乐四重奏. HN. STR QUARTET. 约翰·麦凯布.

原文

First performance 12 October 2011, at St George's Hall, Liverpool, by David Pyatt. horn. and the Sacconi String Quartet, as part of the Centenary Concert of the Rodewald Concert Series. Composer's Note. Throughout my musical life I have found the horn one of the most evocative and beautiful of all instruments, and it is no surprise that I have written a number of works for it, including a concerto, a trio with violin and piano, and a triptych of concert works for horn and piano. Writing a work for horn and string quartet has long been an ambition, therefore, fuelled not only by my love of the instrument but also by the astonishingly small repertoire of horn quintets. This work was commissioned, to celebrate their centenary, by the Rodewald Concert Society, Liverpool, who gave me an invaluable education in the masterpieces of the chamber music repertoire at their concerts, which I attended regularly during my schooldays. The quintet is dedicated to Nancy and Douglas Brady, two of my oldest and closest friends from Liverpool. It was written in 2010. 11 and is continuous. There are, however, three main “movements”. an opening quick one, which is interrupted twice by brief slow interludes referring to the motto heard at the start, a substantial slow movement which also contains two short scherzando sections. much as Brahms’s A major Violin Sonata has two quick trio sections in its slow movement. , and a fast finale, a descendant of the Beethoven one-in-a-bar scherzo. The scherzando interludes interwoven with the slow movement are frequently muted, and have something of an other-worldly atmosphere – perhaps Queen Mab came to deliver me of some dreams while I was writing it. At the end of the finale, the furious activity gives way to an elegiac conclusion, which I feel was greatly influenced by events in the world outside at the time of composition, the music descending to a quiet, sustained C on horn and cello. The work lasts just over 20 minutes and was first performed by David Pyatt with the Sacconi String Quartet in the St George’s Hall Concert Room, Liverpool, on 12th October 2011. John McCabe - 2011.

译文

首先表现2011年10月12日，在圣乔治大厅，由大卫·派亚特. 号角. 和萨科尼弦乐四重奏，作为尔德系列音乐会的百周年纪念演唱会的一部分. 作曲家的注意事项. 纵观我的音乐生活中，我已经找到了喇叭最令人回味和美丽的所有仪器之一，这是毫不奇怪，我已经写了一些作品，它包括一个协奏曲，小提琴和钢琴三重奏，以及一个三联演唱工程喇叭和钢琴. 写作角及弦乐四重奏作品早已是野心，因此，燃料不仅我的爱仪器的同时也得到了惊人的小喇叭剧目的五重奏. 这项工作是委托，以庆祝他们的百年诞辰，由尔德演唱会，利物浦，谁给我一个宝贵的教育室内乐曲目的杰作，在他们的演唱会，这是我在我的学生时代经常参加. 五重奏是专门为南希和道格拉斯·布雷迪，我的两个从利物浦最古老和最亲密的朋友. 这是写在2010年. 11是连续. 有，但是，三大“运动”. 一个开放的快速之一，它是由简短缓慢穿插引用的格言打断两次听到开始，大幅缓慢的运动，也包含两个短scherzando节. 就像勃拉姆斯的一大调小提琴奏鸣曲在其缓慢的移动两个快速三人节. 和快速压轴，贝多芬一中，一杆诙谐的后裔. 用慢运动的交织穿插scherzando经常静音，并有东西的不食人间烟火的氛围 - 也许女王单抗来实现一些梦想的我，而我在写这. 在结局的结尾，愤怒的活动让位给了祭文的结论，我觉得用在作文时在世界之外的事件大大影响了，音乐下降到一个安静的，持续C对角和大提琴. 这项工作只持续了20分钟，最初是由大卫·派亚特执行与萨科尼弦乐四重奏在圣乔治音乐厅音乐会室，利物浦，在2011年10月12日. 麦克凯柏 - 2011.