活页乐谱 $44.12

原文

Helen Grime. Seven Pierrot Miniatures. Piano Score and Parts. Sheet Music. Chamber Group. Piano Chamber. CHAM. PFC. Helen Grime.

译文

海伦立法完善. 七皮埃罗袖珍. 钢琴分数及配件. 乐谱. 商会组. 钢琴室. CHAM. PFC. 海伦立法完善.

原文

For Chamber Ensemble. Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010. In Seven Pierrot Miniatures, I took the Commedia dell’arte character, Pierrot as my primary source of inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements, whereas the Schoenberg comprises three sets of seven movements. Although there is no part for voice, I have taken seven poems by Albert Giraud. none of them set in Pierrot Lunaire. as points of departure. The Clouds. Decor. Absinthe. Suicide. The Church. Sunset. The Harp. Each movement takes its impetus from the corresponding poem, but in the piece as a whole, I wanted to explore the extreme contrasts of the multi-faceted character of Pierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun. movements 1, 3, 5 and 7 are closely linked, both in terms of their musical material and a sense of melancholy, dream-like quality and longing. Movements 2 and 6 are also strongly connected, with allusions to the more mischievous, violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work, juxtaposing a surreal, shimmering calm with brutal outbursts. There is never any direct repetition, yet there is a strong sense of material returning and mutating as the work unfolds. Instrumentation. Flute, doubling piccolo. Clarinet in Bb, doubling Bass Clarinet in Bb. Violin, doubling Viola. Cello. Piano.

译文

对于室内乐团. 在赫布里底群岛乐团委托，先对他们的苏格兰之旅2010年3月完成. 在七皮埃罗袖珍，我带着即兴喜剧角色，皮埃罗作为我的主要灵感来源. 其他更微妙的联系，以勋伯格的皮埃罗Lunaire还曾为起点形成工作的整体形状. 这件作品是投了七次短期走势，而勋伯格包括三套七个乐章. 虽然没有一部分的声音，我已经采取七首由阿尔伯特·吉罗. 他们没有在皮埃罗Lunaire设置. 作为出发点. 云. 装饰. 苦艾酒. 自杀. 教会. 日落. 竖琴. 每一个动作需要它的动力来自相应的诗句，但在这块作为一个整体，我想探索在音乐设置皮埃罗的多面性格的极端对比. 有一个几乎镜面般的质量向片和结束感的形式，其中它已经开始. 动作1，3，5和7有着密切的联系，无论是在他们的音乐素材的条款和忧郁的，梦幻般的品质和向往感. 动作2和6也强烈连接，与典故皮埃罗比较调皮，暴力一面. 运动4作为工作中的关键点排序，并列一个超现实的，闪闪发光的平静，残酷的爆发. 从未有任何直接的重复，但有材料的强烈的责任感返回和变异作为工作展开. 仪器仪表. 长笛，短笛翻番. 单簧管降B，降B翻一番低音单簧管。小提琴，中提琴翻番. 大提琴. 计划.