活页乐谱 $26.76

原文

Music From The Hitchcock Films. Sheet Music. Piano. PF.

译文

乐从希区柯克电影. 乐谱. 计划. PF.

原文

Alfred Hitchcock was once so famous he was the only film director whose name appeared on the cinema marquee above the title. He disparaged actors and loathed location shooting since both threatened the precise realisation of the film he had already made in his mind. Yet, in his Hollywood heyday he forged some creative collaborations he truly valued. those with composers. From the start, Hitchcock knew that music was an invaluable aid to any director of suspense movies who wanted to put his audience through the emotional wringer. From Arthur Benjamin’s pivotal cantata in the 1934 version of 'The Man Who Knew Too Much' to Bernard Herrmann’s jagged soundtrack for the landmark shocker 'Psycho', the music was usually a visceral part of any Hitchcock movie. By the time John Williams scored Hitchcock’s final film 'Family Plot'. 1976. , a whole generation of moviegoers would always remember their favourite Hitchcock film with, as it were, the soundtrack attached. Here, arranged for Piano, are some of the most evocative themes from some of Hitchcock’s most unforgettable films.

译文

希区柯克曾经这么有名，他是唯一的电影导演的名字出现在电影字幕以上职称. 他贬低演员和厌恶外景拍摄，因为这两种威胁的准确实现电影的他已经在他的脑海做. 然而，在他的鼎盛时期的好莱坞，他伪造了一些创造性的合作，他真正的价值. 那些作曲家. 从一开始，希区柯克知道，音乐是一个非常宝贵的援助，以悬疑电影的任何董事谁曾想通过情感拧干放他的听众. 从阿瑟·本杰明在1934年的版本，以伯纳德·赫尔曼的配乐锯齿状的具有里程碑意义的令人震惊的“惊魂记”“擒凶记”关键大合唱，音乐通常是任何希区柯克电影的内脏部分. 到时候约翰·威廉姆斯拿下了希区柯克的最后一部电影“大巧”. 1976. ，整整一代电影观众会永远记住自己喜爱希区柯克电影用，因为它是，配乐附. 在这里，安排了钢琴，是一些最令人回味的主题，从一些希区柯克的最令人难忘的电影.