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原文

Per Nørgård. Tribute To Bali. player's score. Sheet Music. Marimba. Percussion. MAR. PERC. Per Norgard.

译文

珀尔·纳尔戈尔. Tribute To Bali. 球员的得分. 乐谱. 马林巴. 打击乐器. MAR. PERC. 每诺加德.

原文

Programme Note. TRIBUTE TO BALI is a 5-6 minutes piece for 3 percussionists, but also the original version for piano solo under the title “Many returns to Bali” might be called a percussion piece. the piano being a percussive instrument too, at least since Bartok’s “Allegro Barbaro”. – referring in sound and attack to Balinese gamelan music. In gamelan orchestras the fastest layers of music are played by high pitched instruments, the slowest layers by instruments with deep octaves. The same idea is present in my piece, and gives the music a Balinese touch, although no Balinese themes or motifs are used. The motives and rhythms are my own brew, especially the snake-like rhythm called “Pischop”, which – played in many layers at the same time – avoids the strong beats in a bar. The music might be described as a “Tribute to Pischop”. It also refers to my piece “Returns” for guitar. 1976. , composed after my first visit to Bali in 1975. The piece was composed as a hommage to the cultural rich civilization of Hindu Bali, after the bombings on the island in 2002. Percussionist Jacob Weber has, with my accept, arranged the original piano piece for percussion trio – for his debut in 2005 at the Queens Hall at the Royal Library, Copenhagen. Per Nørgård. 2005.

译文

计划注. TRIBUTE T​​O巴厘岛是一个5-6分钟一块3打击乐手，同时也是原始版本的标题下的钢琴独奏“巴厘很多回报”可以被称为一个打击乐件. 钢琴作为打击乐器过，至少从巴托克的“快板巴巴罗”. - 指在声音和攻击巴厘加麦兰音乐. 在加麦兰管弦乐队的音乐最快层由高音调的仪器，最慢层发挥深八度的仪器. 同样的想法出现在我的作品，并给出了音乐巴厘岛风格，虽然没有巴厘的主题或主题中使用. 动机和节奏都是我自己酿，特别是蛇形的节奏称为“Pischop”，其中 - 在同一时间打了很多层 - 避免了强烈的节拍在酒吧. 音乐可以被描述为一个“致敬Pischop”. 它也指我的作品“返回”吉他. 1976. 1975年我第一次到巴厘岛后，由. 这件作品是由一个HOMMAGE印度教巴厘岛的文化丰富的文明，于2002年在岛上的爆炸事件后，. 打击乐雅各布·韦伯了，我接受，安排原来的钢琴曲打击乐三重奏 - 在女王大厅，他出道于2005年在皇家图书馆，哥本哈根. 珀尔·纳尔戈尔. 2005.