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原文

Niels Rosing-Schow. Alliage II. Player's score. Sheet Music. Viola. Accordion. VLA. ACDN. Niels Rosing-Schow.

译文

尼尔斯·罗辛，Schow. 合金II. 球员的得分. 乐谱. 紫色. 手风琴. VLA. ACDN. 尼尔斯·罗辛，Schow.

原文

Programme note. Alloy II for Viola and Classical Accordion. The two instuments of this duo are very different in appearance, and in the way of playing as well as tone. production. At first glance this might call for a music, which brings out these differences in the nature of. the instruments, distributing distinct, even contrasting, musical roles to the two players, such as melody. versus accompaniment. But I refrain from this obvious ‘casting’ of the instruments, since I have always. been fascinated by the less evident, by transitions and gradual displacement, by the intangible places. between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and permanent genesis. To arrive here, I have in this piece written a music, which makes hidden relations and unexplored. sonorous paths come forward between the sound worlds of the two instruments. Bringing together the. musical substances, I look for something deeper than just common sounds. a fresh musical place. And the. lively and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to. alloys, in particular the silvery amalgamations of mercury. The work was commisioned by Andreas Borregaard and composed with support from The Danish Arts. Foundation. It is dedicated to the duo Inviolata. Niels Rosing-Schow.

译文

债券计划. 合金II的中提琴和古典手风琴. 这二人的两个无触点在外观上非常不同，在玩和音的方式. 生产. 乍一看，这可能需要进行音乐，带出的性质，这些差异. 仪器，分配不同的，甚至是相反的，音乐的角色的两名球员，如旋律. 与伴奏. 但我从仪器这种明显的'铸造'不要，因为我一直. 被迷住了不太明显，由过渡和逐步位移，由无形的地方. 一个和另一个之间. 我寻找这个'地形模糊“FRUITFULL incertainty和永久成因. 到达这里，我在这片写了音乐，这让隐藏的关系和未开发. 铿锵路径出面两个乐器的声音世界之间. 汇集. 音乐物质，我看的东西不只是普通的声音更深. 新鲜音乐的地方. 而. 活泼明亮的声音世界的浮现形成这种工具和结构“在两者之间”我联想到. 汞的合金，特别是银的合并. 这项工作是commisioned由Andreas鲍利葛和丹麦艺术与支持组成. 基础. 它是专门为二人Inviolata. 尼尔斯·罗辛，Schow.