活页乐谱 $39.39

原文

John McCabe. String Quartet No.7 - Summer Eves. Parts. Sheet Music. String Quartet. STR QUARTET. John McCabe.

译文

约翰·麦凯布. 弦乐四重奏第7号 - 暑期前夕. 配件. 乐谱. 弦乐四重奏. STR QUARTET. 约翰·麦凯布.

原文

Commissioned by the Presteigne Festival of Music and the Arts Limited, with funds provided by the Arts Council of Wales, for premiere in August 2012 by the Carducci String Quartet in St. Andrew’s Church, Presteigne. Composer's Note. "Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet – “Classical” in the sense of the forms adopted, plus perhaps a predominantly lyrical tone of voice. The commission for this work, from the Presteigne Festival for their 30th anniversary in 2012, gave me the opportunity of putting into practice this long-held idea. It is dedicated to the Festival and to the Carducci Quartet, whose career, as much-admired friends and colleagues, I have greatly enjoyed. The only break with “classical” tradition is that there are five movements instead of four, with two Scherzi as the second and third, though both these are very short and contrasting. I found myself listening to Haydn’s string quartets a lot before and during the composition of this work, and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form, unusually for me, and lyricism is, I hope, the basis of it, though there is a good deal of activity at times. The Scherzo, light and marked by frequently-changing rhythms, is followed by an equally short but ferocious Perpetuum mobile, marked Wild und rasch. one of my favourite German tempo markings. The fourth movement is an intense Adagio, in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close, intermingled with cadenzas for cello, for viola, and for the two violins together. The finale. a Rondo. resumes the classical tone of the first movement, but apart from one dance-like episode it builds up a fair head of steam towards a final Presto, which however ascends, slows and quietens, towards a gentle summer sky at dusk.

译文

由音乐普雷斯廷节和艺术有限公司委托，由威尔士艺术委员会在2012年8月被Carducci的弦乐四重奏圣安德烈教堂，普雷斯廷提供，资金首映. 作曲家的注意事项. “几年前，我记下了我的预期会是一个比较古典弦乐四重奏的开幕主题 - ”经典“的形式通过了感觉，再加上声音也许是抒情为主基调. 对于这项工作，从普雷斯廷节在2012年的30周年之际的委托，给了我付诸实践这一长期持有的想法的机会. 它是专门为艺术节，并到卡尔杜齐四方，他的职业生涯，作为备受推崇的朋友和同事，但我很高兴. 用“古典”传统的唯一场所是，有五个动作而不是四个，有两个谐谑曲作为第二和第三，虽然这两种都是非常短和对比. 我发现自己听海顿的弦乐之前这项工作的组成中四重奏了很多，我希望他所喜悦的精神写这个介质回荡在我自己的音乐. 开场运动是奏鸣曲形式，不同寻常的我，抒情是，我希望，它的基础，但有一个很好的交易活动在时间. 谐谑曲，重量轻，标志着频繁变化的节奏，后面是同样短，但凶猛的永动机，标志着野生UND拉希. 我最喜欢的德国速度标记1. 第四乐章是一个强烈的慢板，其中单语齐声发出强烈逐渐转变成柔和的全音阶和弦收盘前，间杂着华彩乐段的大提琴，中提琴，并为两把小提琴在一起. 压轴. 一朗多. 恢复第一乐章的经典色调，但除了从一个舞蹈般的情节就建立了蒸汽的公平头朝着最终普雷斯托，然而上升，减缓和quietens，朝着一个温和的夏日天空黄昏.