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原文

Mark Goddard. Gerty Goat Scuffer. Sheet Music. Double Bass. Piano Accompaniment. DB. PFA. Mark Goddard.

译文

马克·戈达德. 格蒂山羊Scuffer. 乐谱. 低音提琴. 钢琴伴奏. DB. PFA. 马克·戈达德.

原文

Written for David Heyes as part of his "Fizz at 50" project. "Gerty Goat Scuffer". in case you wondered. is one of many nick-names we had for a much loved family dog - officially named "Heavy Hetty" from a character in an imaginative children's book of that name. In my youth as a composition student at the RAM, I discovered that walking a dog for an hour a day is the anti-dote to the long hours required as a composer, "sat you yer bum" writing at a desk, and. in those pre-computer years. writing endless parts out by hand. First of these 'best friends' was a glorious Gordon Setter called "Sophie",. my first love. , who accompanied Pat and I on our honeymoon across Scotland. Thirty years later, we were privileged to enjoy the company of three therapeutic beasts. "Merlin". a prize winning Pyrenean Mountain Dog. , "Gael". an over energetic Scottish Border Collie. and "Hetty". a unique cross between a Pyrenean Mountain Dog and a St. Bernard - something of a "kennel-maid's Accident". Hetty. see picture. is unfortunately no longer with us now. She had an extraordinary puppy-hood that left her with titanium plates holding her back legs together. Hetty was surprisingly active though, right through to the age of nearly 10 - speciality. chasing Pheasants in the grounds at Strathmashie - but she became progressively hampered by arthritis, and 'scuffed along' on her vast hairy pads with a swagger. She also used to remind our children of a mountain goat. Songs have been written about her, but this is the first instrumental work that she has inspired. The pervading thematic motive of the piece. heard from the outset. , cheekily alludes to an. over. famous Saint-Saëns work for double bass. but no insult is intended to Hetty. The increasingly roving tonality and unusually sudden shifts of key, combined with the use of jazz chords, combines to present a short but heartfelt tribute to a unique animal that provided untold pleasure to all she came into contact with, simply by just being "herself".

译文

写大卫Heyes作为他的“菲斯50”项目的一部分，. “格蒂山羊Scuffer”. 如果你想知道. 是许多缺口的名字，我们有一个非常爱家的狗1 - 正式命名为“重赫蒂”从字符在名称的富有想象力的儿童读物. 在我年轻的在RAM组成的学生，我发现，遛狗一小时一天是反钟爱所需作为一个作曲家的时间很长，“坐在你揭掉流浪汉”在伏案写作，和. 在那些前几年计算机. 无尽的写作部分由手. 首先，这些“最好的朋友”是一个光荣的戈登二传手叫“苏菲”，. 我的初恋. ，谁陪同帕特和我对我们在整个​​苏格兰度蜜月. 三十年后，我们有幸欣赏三个治疗野兽公司. “梅林”. 中奖比利牛斯山犬. “盖尔”. 过充满活力的苏格兰边境牧羊犬. 和“海蒂”. 一比利牛斯山犬和圣伯纳之间的独特的跨 - 这是一个“狗窝，女仆的事故”的. 海蒂. 见图片. 不幸的是不再跟我们现在. 她有一个非凡的小狗罩留下她与钛金板抱着她的背部双腿并拢. 海蒂是出奇的积极，虽然，一直到近10岁 - 专业. 追逐雉的理由在Strathmashie - 但她逐渐成为关节炎在她巨大的毛茸茸的垫阻碍，而“以及磨痕”与招摇. 她还经常提醒我们的山羊的孩子. 歌曲被写了她，但这是她启发了第一器乐作品. 这块弥漫主题动机. 从一开始就听到. ，厚脸皮暗示的. 以上. 双低音著名圣桑工作. 但没有侮辱打算赫蒂. 越来越巡回音调和关键的不同寻常的突然变化，结合使用爵士和弦，结合提出一个简短而发自内心的敬意，她开始接触一个独特的动物，提供无尽的乐趣所有，只需仅仅是“自己”.