活页乐谱 $33.15

原文

Sonatas for Violin and Basso continuo, Op.5 Vol.1. Nos 1-6. Urtext. Sheet Music. Violin, Piano Accompaniment. VLN. PFA. Arcangelo Corelli.

译文

Sonatas for Violin and Basso continuo, Op.5 Vol.1. 我们1-6. Urtext. 乐谱. 小提琴，钢琴伴奏. VLN. PFA. Arcangelo酒店科雷利.

原文

Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line. With a separate Urtext violin part. With a separate unrealized figured continuo part. Includes a supplement with violin embellishments. Appendices in both volumes with source descriptions and critical commentaries. Preludes for keyboard instrument by Tonelli in the appendix of volume 2. Arcangelo Corelli, the violin virtuoso of his time, published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published in nearly 100 editions, all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today, the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords, sometimes played by both hands. In addition, Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini, Geminiani, McGibbon, Dubourg and Roger. from a re-print of the sonatas from c. 1710. These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction, a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.

译文

得分，实现了数字低音通过托内利，以及科雷利的未实现数字低音线. 设有独立Urtext小提琴部分. 一个单独的未实现想通低音部的一部分. 包括与小提琴装饰为辅. 附录中的两个卷带源的描述和批判性评论. 前奏曲的键盘乐器由托内利2卷附录中. 阿尔坎杰洛科雷利，他那个时代的小提琴演奏家，发表了他的奏鸣曲小提琴与巴索低音部OPUS V在罗马1700. 这些奏鸣曲是他那个时代的小提琴演奏汇编，并奠定了未来的小提琴成分. 多年来奏鸣曲已经发布了近100版本，全部基于其中只包含了小提琴独奏线以上的未实现低音线科雷利的第一版. 今天，奏鸣曲在众多的现代低音部变现众所周知. 然而，一个实现了从科雷利的时间安东尼托内利也存在，在此提出第一次在现代表演版. 认识到这一点是令人惊讶的，因为它包含完整和弦，有时用双手演奏. 此外，Bärenreiter新的学术关键版本包括首次许多小提琴装饰. 在大多数情况下，他们已经通过塔蒂尼，杰米尼亚尼，麦吉，Dubourg和罗杰手写的文件被发现. 从c中的奏鸣曲的重新打印. 1710. 这些装饰都在一个单独的小册子，玩家可以把旁边科雷利的原始的乐谱架. 为配合这一Urtext版是一个历史的介绍，一个关键的评论和含前奏的奏鸣曲键盘由托内利附录.