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原文

Antonín Dvorák. Concerto For Violoncello And Orchestra In B Minor Op.104. Cello Part. Sheet Music. Cello. VLC. Antonin Dvorak.

译文

德沃夏克. 协奏曲为大提琴与乐队在B小调Op.104. 大提琴部分. 乐谱. 大提琴. VLC. 德沃夏克.

原文

Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan. but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts. With Dvorák's final and definitive version of the solo cello part. With hundreds of corrections in the solo cello part as well as the orchestral parts. With hitherto unknown details regarding the collaboration between Dvorák and Wihan. With Feuermann's and Casals' alternatives to a passage in the first movement.

译文

像所有其他伟大的19世纪独奏协奏曲，德沃夏克著名的大提琴协奏曲是作曲家和演奏家之间的合作. 人们早就知道，某些独奏段落德沃夏克的亲笔签名得分实际上写的大提琴家哈努斯的Wihan. 但Bärenreiter的版本，现在发现，在管弦乐的部分的一些细节也在他的著作中，表现出有多么密切两国音乐家合作. 编辑乔纳森·德尔马还煞费苦心地审查了所有幸存的来源，其中有两个项目迄今已忽略或关键的低估，从而产生一个权威的版本而恢复 - 第一次，因为原来的版出版于1896年 - 德沃夏克的决赛和独奏大提琴部分最终版本. 这不同于在细节，从所有其他现代版本中发现的版本几乎每一个栏，而数以百计的更正也已经向管弦乐部分. 与德沃夏克的决赛，并最终独奏大提琴部分版本. 数以百计的更正独奏大提琴部分以及管弦乐部分. 随着对德沃夏克的Wihan之间的合作迄今不为人知的细节. 与费尔曼的卡萨尔斯和“替代一个通道，在第一乐章.