活页乐谱 $12.55

原文

Tarik O'Regan. No Matter. Sheet Music. SATB. SATB. Tarik O'Regan.

译文

塔里克奥雷根. 不管. 乐谱. SATB. SATB. 塔里克奥雷根.

原文

For SSSAAATTTBBB unaccompanied chorus. No Matter sets excerpts from Samuel Beckett’s 1983 prose poem Worstward Ho. It is one of the very last pieces Beckett ever wrote and remains one of his most enigmatic. The text concern’s the poet quest to reach a position of sheer emotional nihilism, a Sysyphian struggle that is, logically, unattainable as a creative artist. ‘nothing’ cannot be attained with words – “And worse may I be yet. the worst is not, so long as we can say ‘This is the worst’”. Shakespeare, King Lear IV.1.27-28. Compositionally the piece plays on Beckett’s linguistic games, using very minimal material in a variety of permutations and combinations to provide a sense of overarching structure and musical drama. The title, taken from the text, is a reference to the task of attempting to achieve nothingness, as well as a casual turn of phrase. The work as a whole is a commentary on what the New Yorker, in its 1984 review of the work, called “Beckett's wrestle with the void to the point where less would be nothing. Tarik O’Regan February 2009.

译文

对于SSSAAATTTBBB无人陪伴的合唱. 无论从设置塞缪尔·贝克特的1983年散文诗Worstward何摘录。这是最后件贝克特写过之一，仍然是他最神秘的1. 文本关注的诗人追求达到纯粹的情感虚无主义的位置，Sysyphian斗争是，在逻辑上，高不可攀的创造性的艺术家. “无”，不能达到与词 - “更糟糕的是我可以在没有. 最糟糕的是没有，所以只要我们可以说'这是最坏的'“. 莎士比亚，李尔王IV.1.27-28. 从组成上一块上播放贝克特的语言游戏，用很小的材料中的各种排列组合，以提供总体结构和音乐剧的感觉. 标题，从文本拍摄，是参照试图达到虚无的任务，以及词组的散转. 这项工作作为一个整体是什么样的纽约人，在其1984年审查工作，被称为“贝克特的角力与虚空的地步，更不会是什么的评论. 2009年塔里克O'Regan月.