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原文

Frank Potenza. Nick Stoubis. Fingerboard Mastery, Book One - Scales & Arpeggios. Sheet Music. Guitar. GTR.

译文

Frank Potenza. Nick Stoubis. Fingerboard Mastery, Book One - Scales & Arpeggios. 乐谱. 吉他. GTR.

原文

This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. Using a comprehensive approach that includes three different organizational systems, it covers the technical foundation that is necessary for playing any style of music. The CAGED system. five positions. , the Finger Stretch system. all twelve keys in one position. and the Three-Note Per String system. seven patterns. are examined. Although each of these three systems is examined, the CAGED system serves as the basis for much of the material covered in this book. Instead of traditional musical notation, the book uses fingerboard diagrams to focus on the visual aspect of the patterns. The goal is to present an approach to understanding and mastering the fingerboard by outlining the best and most practical elements of these different systems. Book One presents patterns for the major scale and its relative modes, the major pentatonic scale, the minor pentatonic scale, and the blues scale. Along with these scale forms, patterns for arpeggios that are for the most part diatonic to. in the key of. the major scale are presented. These include major, minor, diminished and augmented triads, and also major 7, dominant 7, minor 7, minor 7. ó5. , and diminished 7 chords.

译文

This in-depth scale and arpeggio text is core curriculum at the University of Southern California's Studio Guitar Department, which is part of the prestigious Flora L. Thornton School of Music, located in Los Angeles, California. 采用全面的方法，包括三个不同的组织系统，它涵盖了技术基础所必需的演奏任何风格的音乐. 锁紧系统. 五个位置. ，手指伸展系统. 在一个位置的所有12个按键. 和三注每串系统. 七种模式. 进行检查. 虽然这三个系统进行检查，笼式系统作为基础，很多在本书的材料. 而不是传统的乐谱，这本书采用指板图，把重点放在图案的视觉效果. 我们的目标是提出一个方法来理解和阐述这些不同系统的最好和最实用的元素掌握指板. 本书提出了一个图案为主要规模和相对模式，主要的五声音阶中，小调五声音阶和布鲁斯音阶. 随着这些刻度形式，型态的琶音是在大多数情况下，以全音阶. 中的关键. 大调音阶都. 这些措施包括主要，次要，削弱和增三和弦，并且也是主要的7，优势7，小7，小7. ó5. 和减少7和弦.