活页乐谱 $20.52

原文

Thomas Simaku. a2. Sheet Music. Viola. Cello. VLA. VLC. Thomas Simaku.

译文

托马斯Simaku. A2. 乐谱. 紫色. 大提琴. VLA. VLC. 托马斯Simaku.

原文

For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram. First performance. Intrasonus Festival Venice, 3 May 2008. "This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen. heard as one'. "a2. a due. is a well-known term to musicians. it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much. for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work. in fact, the opposite is true. regardless of how it appears on paper. on one or two staves. , the music for each instrument is constantly based on two layers. "This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. "In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing. a2. "As if to add another dimension to this idea, there are two versions of this piece. for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.

译文

为中提琴和大提琴. 2008年发布. Dedicated to Garth Knox and Rohan de Saram. 首场演出. Intrasonus节威尼斯，2008年5月3日. “这音乐是在我居住DAAD在柏林十月组成 - 2007年11月. 如果我来形容它的一句话，我会说，这是基于对'两件事情的想法可见. 听到一个人. “A2. 到期. 是一个众所周知的术语，音乐家. 它经常在管弦乐分数表示一个给定的通道是由同一个家庭的两个仪器被播放发现. 虽然小提琴和大提琴很可能被视为字符串家族的第一个堂兄弟'，字面实施期限A2作为“成分战略”中就已经太多了. 一块室内乐由不超过两名球员. 毫不奇怪，这永远不会发生在这一工作. 事实上，情况正好相反. 无论它如何出现在纸上. 在一个或两个杠. 的音乐的每个仪器不断基于两层. “的称号这个音乐剧”解释“给出指示，如何在一块的纹理格式运行. 然而，这绝不意味着'斤斤计较'我的心，而撰写此音乐唯一的念头. 柏林给我留下了深刻的印象. 墙上贝尔瑙尔Straße和鹅卵石双石线追踪跨越那里曾经站立在墙上的残余 - 是什么不久前有在一个城市两个不同的世界清楚地提醒 - 激起了惊人的戏剧性效果. 边框，死亡带，杀戮，并逃到了自由，特别是时间特别令人回味的共鸣，当我在阿尔巴尼亚南部的一个偏远小镇居住了三年就在希腊边境. 在那里，有一种莫名的道路，其目的不想让你知道的主管部门，但当地人把它称为“死亡公路”. “在没有办法方案，在这种情况下，主要的想法的外音乐尺寸是一块非常一部分. 在这里，音乐和额外的音乐诠释不易分开，因为他们是同一事物的两个部分. A2. “仿佛在另一个层面增加这种想法，有两个版本，这片. 为中提琴. 第一个版本是在2008年Intrasonus节在威尼斯首映由加斯诺克斯和罗汉德萨兰.