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原文

Peter Maxwell Davies. Strathclyde Concerto No. 2. Sheet Music. Cello, Piano. VLC. PFA. Peter Maxwell Davies. --.

译文

彼得·马克斯韦尔·戴维斯. 斯特拉斯克莱德协奏曲. 乐谱. 大提琴,钢琴. VLC. PFA. 彼得·马克斯韦尔·戴维斯. --.

原文

This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra, conducted by the composer. If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody. there is hardly a page where the cello is not singing, or if not that, then dancing. , and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement. and though the finale is more extrovert, the work ends back in quietness and rumination. This book contains the solo cello part and a piano reduction of the orchestral score.

译文

This work for cello and orchestra was commissioned by the Strathclyde Regional Council and the Scottish Chamber Orchestra. It is the second of ten concerti to be written for principal players of the Scottish Chamber Orchestra. The first performance was given in February 1989 by William Conway and the Scottish Chamber Orchestra, conducted by the composer. 如果戴维斯的大提琴协奏曲已经引起了比较与埃尔加的,这也许表明,不仅其丰富的独奏旋律. 几乎没有一个页面,大提琴不唱歌,或者如果不是,那么跳舞. 而其主要慢节奏的音乐身形也,但. 这第二个斯特拉斯克莱德协奏曲是一件大师为整个乐团,这是用来几乎贯穿作为独奏家的离合器,而不是作为一个合奏块. 总的基调是充满激情的,但内部的对话之一,特别是在开放琴声和缓慢的运动. 虽然大结局更外向,工作结束回到宁静和沉思. This book contains the solo cello part and a piano reduction of the orchestral score.