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原文

Thea Musgrave. Journey Into Light. Vocal Score. Sheet Music. Soprano. SOP. Thea Musgrave.

译文

西娅马斯格雷夫. 旅途成光. 声乐分数. 乐谱. 女高音. SOP. 西娅马斯格雷夫.

原文

A work for Soprano, Woodwind, 2 Horns and Strings. Duration. circa 15 minutes. Programme Note. "This work was commissioned as a possible companion piece to Mozart’s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen, one anonymous from the early 16th century, the other two by the famous Scottish poet William Dunbar. 1460. –1513. , describe the promise of salvation after life’s dark passage. Each of the three poems echo this thought. “In celum, ther is joy with Thee”, “A short torment for infinite gladness” and “Since erdly joy abides never, Work for the joy that lastès ever”. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation. this work also has its ‘dark’ moments, but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain “Terribilis mors conturbat me” in the first macaronic poem. also a salute to Mozart since the Exsultate is in Latin. returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears. played mostly by the oboes. in the last song but now the pitch of each repeat goes in reverse, that is, from high to low. The famous motive of the Gregorian chant Dies Irae. representing death. is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song “A free choice given to Paradise or Hell”. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words. sometimes as a colour, and sometimes as articulation. The bird of the last song “Thus sang ane bird with voice upplane” becomes several birds. oboes. singing in A major, but with a D sharp, thus the Lydian mode. However the refrain of this poem “All erdly joy returns in pane” is in F major. This alternation of F major. A major tonalities is a ‘structural’ feature which, is of course, heralded by Mozart in his “Exsultate Jubilate”. This work is thus written in homage to Mozart. - Thea Musgrave.

译文

为女高音，木管，2角和一个字符串工作. 长短. 约15分钟. 计划注. “这项工作是委托作为一个可能的姊妹篇，以莫扎特的Exsultate欢喜，并决定迅速做出写的东西作为一个完整的对比. 诗选择，一位不愿透露姓名的16世纪早期，另外两个由著名的苏格兰诗人威廉·邓巴. 1460. -1513. ，描述救赎后生活的黑暗通道的承诺. 这三个诗呼应这一思想. “在celum，疗法是欢乐与你同在”，“短折腾无限快乐”和“自erdly喜悦遵守绝，为快乐的工作，lastès有史以来”. 因此，在每首诗，诗人可以克服他必然对死亡的恐惧与救赎的确定性. 这项工作也有其“黑暗”的时刻，但整体情绪是平静与和平的一个. 由于与文字有链接的三首歌曲的几个音乐动机. 音乐动机在第一macaronic首诗的叠句“Terribilis MORS conturbat我”. 也敬礼莫扎特，因为Exsultate是拉美. 返回高一点，更绝望的每一节，直到最后一节在那里起了整个高八度. 这个动机重新出现. 由双簧管演奏大多. 在最后一首歌曲，但现在每个重复的音调去反向，即从高分到低分. 格里高利圣咏的著名动机模具Irae. 占死亡. 用来陪伴第二首歌的祈祷. 的音乐动机天堂的喜悦出现在第二首歌曲“自由选择给天堂地狱或者”. 还有，用来说明的话一个无处不3音符弦簇. 有时作为彩色的，有时为关节运动. 最后一首歌的小鸟“这样唱ANE鸟的声音upplane”变成多鸟. 双簧管. 唱一个主要，但有升D，因此吕底亚模式. 然而，这首诗“所有erdly喜悦返回窗格”的副歌是F大调. F大调的这种交替. 一个主要的音调是“结构性”的功能当中，当然，莫扎特在他的“Exsultate欢喜”预告. 因此，这项工作是写在参拜莫扎特. - 马斯格雷夫西娅.