活页乐谱 $18.86

原文

Erik Bergman. Lament & Incantation Op. 106 for Soprano and Cello. Sheet Music. Voice. SOP. VLC. Erik Bergman. --.

译文

埃里克·伯格曼. Lament & Incantation Op. 106 for Soprano and Cello. 乐谱. 声音. SOP. VLC. 埃里克·伯格曼. --.

原文

The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. It is a dialogue-like duo in which the instruments speak both in turn and together. Their voices grow in a wedge of volume — from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure, the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type, oscillating backwards and forwards over a small interval, is characteristic of Bergman and accordingly makes its appearance in the other movements, too.

译文

The three-movement Quo vadis by Erik Bergman is a typical example of his recent coloristic-improvisatory style. 这是一个对话般的二人，其中仪器说无论是在转，一起. Their voices grow in a wedge of volume — from silence to passionate outbursts and from the middle to the outer registers. Each rejoinder is usually dominated by a particular mode of playing and figure, the most marked being the highly dissonant crashes on the piano and the cello tremoli. The themes of the second movement are based on a medieval Dies irae melody. But their melodic type, oscillating backwards and forwards over a small interval, is characteristic of Bergman and accordingly makes its appearance in the other movements, too.